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Highlife – Ghana’s urban dance music – has had enormous influence throughout West Africa. In the early years of Ghana’s independence, it became the national music and one of the most popular, enduring and adaptable African styles. Highlife Roots Highlife began in the early twentieth century when African and European influences were combined with the Gold Coast’s local rhythms. The term highlife was coined in the 1920s and referred to the high-class dance evenings fashionable among the Ghanaian elite. Other proto-highlife forms included brass-band music, local drum and voice marching bands called konkoma, and palm wine guitar bands.

Koo Nimo Koo Nimo is one of the last true veterans of highlife roots and palm-wine music, which dominated Ghana’s popular music scene throughout much of the twentieth century. Mini Game Pc Gratis Full Versi.  By delving deep into Koo Nimo’s narrative style you can trace out the link to the melodious strains of Prince Nico Mbarga and, subsequently, the heady didactic Afrobeat of Fela Kuti, and even further to the current-day exponents of the highlife hip-hop fusion, hip-life. Nimo’s music effortlessly revives the beautiful roots of highlife once more. An album by Koo has been released on Riverboat Records in late July 2012. Koo Nimo is one of the last true veterans of highlife roots and palm-wine music, which dominated Ghana’s popular music scene throughout much of the twentieth century.

Recorded in his backyard at home in Accra, expect acoustic guitars and rolling percussion all topped off with his gentle story-teller singing style. For an in-depth exploration of Highlife music, check out our album. Dance-Band Highlife During World War II, elements of swing and jazz were introduced and formed what is known as classic highlife.

After the 1957 independence, the socialist-aligned government actively encouraged indigenous music and funded state bands. Mensah and his band, Tempos, popularized highlife throughout West Africa. Another influential figure, Guy Warren, was responsible for introducing Afro-Cuban percussion and calypso. By the late 1970s, however, dance-band highlife was on the way out, having been undermined by new, imported pop styles and a declining economy. Guitar-Band Highlife After World War II, palm wine bands evolved into bigger guitar-based bands. Pes 2002 Full Version For Pc more. A key figure here was E.K.

Nyame who grafted highlife onto Ghana’s popular vaudeville concert shows, “concert parties”. Between the 1950s and 1970s scores of bands were formed in the wake of his success. 1970s Afro-Fusion and Back-to-Roots During the 1960s, highlife was influenced by Congolese music, pop, and soul. The new era of experimentation in the early 1970s led to the creation of Afro-rock, Afro-beat and Afro-funk. The new wave included the groups Osibisa, Magic Aliens, and Boombaya. Another initiative was the Ga cultural revival spearheaded by the troupe Wulomei.

These groups were characterized by powerful Ga drumming, female harmonies and exciting floor shows. As the 1970s dawned, the all-glittering, all-dancing sounds of disco were reverberating right around the globe.