Review Summary: Swans essentially deliver White Light part two, as well as their most flat out gothic record to date. The musical career of Swans is an anomaly, to put it lightly. Mario World 2 Rome here. I don't think there are too many albums in their vast discography that sound truly similar, at least in the way most other bands tend to do things. While you could compare certain records to one another in their catalog, it’s quite rare that more than two of their records will sound similar.

Because of this, there were probably a lot of fans that felt alienated as the band progressed further into softer, more melodic territory on only their third album. As the evolution kept going, they were becoming more and more folky, gothic, and epic as well, which was quite different than the brutal beginnings of albums such as Filth. While they hit a few bumps along the way, as to be expected, this era is where most of their masterpieces were made. So, after the grand, symphonic masterpiece of White Light From the Mouth of Infinity, we were given Love of Life, which is a quite interesting point in the band’s career. Starting from the point when Jarboe joined the group, Swans were slowly moving further and further into gothic rock territory. Office 2010 Toolkit 2.1.6 Download Free more.