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Ray Charles Genius + Soul = Jazz 2010 Ray Charles spent the 1950s and 1960s transforming the atomic American musics of gospel, the blues, R&B and country into what has been tagged 'soul.' Should jazz have been immune to his considerable charms? No, of course not.

During the early 1960s, Charles was making his transition from Atlantic Records to ABC Records. This transition was surrounded by the releases of The Genius Sings The Blues (Atlantic, 1961), The Genius After Hours (Atlantic, 1961), The Genius Hits the Road (ABC, 1960) and Genius + Soul = Jazz (ABC, 1961). Here released in an expanded, 2-CD set, Genius + Soul = Jazz signaled that Charles was not merely interested in producing marketable pop music, but that he was also intent on expanding his, and as a result the public's, musical palette. Charles had already transformed gospel and R&B into soul, in the 1950s, with single releases such as 'I Got A Woman' (1955), 'Hallelujah I Love Her So' (1956) and 'What'd I Say' (1959). Leaving Atlantic for ABC, Charles continued his genre-bending assault on American music with 'Georgia On My Mind' (1960) and 'Hit The Road Jack' (1961), and in 1961 also released three singles taken from Genius + Soul = Jazz: 'I'm Gonna Move To The Outskirts Of Town,' 'I've Got News For You' and 'One Mint Julep.'